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Distributed for Reaktion Books

Spectacular Miracles

Transforming Images in Italy from the Renaissance to the Present

Distributed for Reaktion Books

Spectacular Miracles

Transforming Images in Italy from the Renaissance to the Present

Winner of the ACE / Mercers’ Book Award 2014

Spectacular Miracles confronts an enduring Western belief in the supernatural power of images: that a statue or painting of the Madonna can fly through the air, speak, weep, or produce miraculous cures. Although contrary to widely held assumptions, the cults of particular paintings and statues held to be miraculous have persisted beyond the middle ages into the present, even in a modern European city such as Genoa, the primary focus of this book.
Drawing upon rich documentation from northwest Italy and elsewhere, Spectacular Miracles shows how these images “work” in a range of historical contexts. Jane Garnett and Gervase Rosser vividly evoke ritual animation of the image and the phenomenology of the beholder’s experience. These images, they demonstrate, have the subversive potential of the miraculous image to bypass clerical and secular authority, a power enhanced by reproducibility—devotion is hard to control when a copy of a venerated image is held to carry the same supernatural potential as the original, even when in a digital form mediated by the Internet. Engaging with the history, anthropology, and visual culture of images and religion, Spectacular Miracles is a convincing study of the continuing power of faith and art.

320 pages | 100 color plates, 50 halftones | 7 1/2 x 9 4/5 | © 2013

Art: European Art

History: European History


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Reviews

“An impressively researched and perceptive study of miraculous images in Italy.” 

Apollo magazine | Richard Cork

“One of the great wonders of art and of human experience is the enduring belief that objects sometimes work miracles or possess other supernatural abilities. . . . This book addresses this essential phenomenon in Italian art. . . . The premise of the investigation is sound and reaffirms the image’s power to affect human beings. . . . Thought-provoking study. Recommended.” 

Choice

“This interdisciplinary study brings together art history and anthropology to explore those paintings and statues which have been invested with miraculous properties by believers. Focusing on art and faith in Genoa and its surrounding region, the authors investigate how such objects have historically subverted their intended clerical or secular function—and in many cases, continue to do so.” 

Apollo

Table of Contents

Preface

1. The Time and Space of the Miraculous Image
2. The Invented Image
3. The Activated Image
4. Communion with the Image
5. The Power of the Infinite Copy
6. Portrait in an Altered Landscape

References
Select Bibliography
List of Illustrations
Acknowledgements
Index

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