“Neil Verma’s Theater of the Mind is a gift in an age when so many have forgotten the depth of radio’s contribution to sonic culture. Verma rethinks sound as a creative medium in the past and in the present, offering a definitive account of radio drama in the 20th century. His spatial readings of these dramas and their listeners—supported by fresh concepts like audioposition and kaleidasonic space—promise to transform the ways in which we analyze creative audio. Theater of the Mind is a major work of radio history.”

Jonathan Sterne | author of The Audible Past: Cultural Origins of Sound Reproduction

“Verma begins his ambitious and impres­sive book on classic radio drama with ‘one of the most venerable clichés’ about the medium of radio: it is ‘the theater of the mind.’ Over the course of several close listen­ings, he transforms the phrase from ‘an idiom into a heuristic’ of remarkable depth and breadth. In doing so, Verma provides a fresh vocabulary for thinking about classic ra­dio drama, with remarkable insights into the ways radio dramatists employed new strate­gies of sound design.  . . . Verma’s contribution to the growing shelf on U.S. radio history is significant for its un­precedented insight into the centrality of the aesthetics of sound in radio drama, its insight­ful close listening to exemplary broadcasts, and its sheer scope in encompassing thousands of broadcasts.”

Journal of American History

“Verma returns to recordings of golden age radio dramatic programs and listens anew. His refreshing, thoughtful Theater of the Mind establishes a theory of radio aesthetics through close readings of programs and genres, a method of ‘excavational listening’ that he calls ‘media archaeology . . . the paleontology of experience.’ Recognizing that we can never hear with historical ears, Verma nonetheless takes radio programs seriously as art—art about the self, especially—and as evidence of ambient ideas about interiority, identity, and consciousness.”

American Quarterly

“Verma’s study is a valuable text that informs popular literature studies as much as sound, radio and communication. His exhaustive study of the post Second World War crime and spy genres on US Radio offers an important adjunct to any school of English. . . . This is a work of exceptional scholarship and will be a seminal contribution to the history and aesthetics of radio drama in the USA for many years to come.”

Journal of Adaptation in Film & Performance

“Verma deftly alternates between close readings of single moments in plays and large-scale interpretations across entire series to convincingly contend that radio drama was fundamentally imbricated in shaping (in addition to reflecting) the ways in which Americans apprehended space, time, self, and mind in relation to domestic and international politics, intimately and publicly, across three decades. . . . Theatre of the Mind will be of interest to performance, theatre, culture, and media scholars working in the first half of the twentieth century in the United States. Yet it will also be of interest to scholars and students working far beyond this geographical and temporal focus for its innovative methodology and elegant, consistent argumentation.”

Journal of Dramatic Theory and Criticism